Gary Lee, Nice Coloured Boys, Chunnu

Photographs from Bangladesh, India and Nepal from 1993 to early 2000s; first editioned as prints in 2025-2026.

Type C prints on Ilford cottonrag paper.

edition: 2 x A/Ps + 1

Nice Coloured Boys commemorates the distinguished practice of Gary Lee — artist,
writer, curator, designer and anthropologist. The exhibition offers a glimpse into the past
when Lee, a young, gay Larrakia Aboriginal man from Darwin, moved to Sydney in the
early 1980s to pursue a career as a visual artist. As fate would have it, he arrived a
year earlier than his enrolment at Sydney College of the Arts (SCA) so he busied
himself with part-time studies at Alexander Mackie College and making hand-painted
silk scarves, cards and jewellery for a stall with his cousin Laura Lee at Paddy’s Markets. The much sought-after stall space at Paddy’s Markets belonged to their Auntie Stella who was happy to hand it over to them for a time. Gary also teamed up with ex-
Darwinite Andrew Trewin to design clothes, a collaboration which eventually saw him
leave SCA at the end of the following year to undertake fashion designing full-time,
working out of studios in The Strand and Imperial arcades in Sydney’s CBD.

A few years after graduating as an anthropologist, Gary commenced his
long-running photo-portrait series Nice Coloured Boys in Dhaka, Bangladesh in
1993—work which he has often referred to as visual anthropology. He was in Dhaka as a delegate, a guest curator for two Aboriginal art exhibitions touring a number of South Asian countries under the auspices of Australia’s Department of Foreign Affairs and Trade.

One of the exhibitions, The Image Black, had been curated by Tracey Moffatt, her film
Nice Coloured Girls (1987) consciously referenced with Nice Coloured Boys.
Again, the political nexus of race/colour and beauty.

The works from Nice Coloured Boys in this exhibition come from the series’ formative
years, from 1993 to the early 2000s, portraits of men in Bangladesh, India and Nepal.
They are all newly editioned prints except for the six-part frieze Bablu, milk boy which
was first editioned for the exhibition Queer Territory in 2025 and which were the first
published photographs from Nice Coloured Boys (published in Photofile magazine, issue no. 55, ‘Happy Snap’, November 1998). The series itself is emblematic of Gary’s approach to art-making, marked by a humanism both profound and every-day and which seeks, through the various bodies of work in this exhibition, to stand the test of time.

Gary Lee is a Larrakia artist, curator, anthropologist and writer. His visual arts practice
includes photography, illustration, fashion design and design although he primarily works
as a photographer. His photography focuses on male portraiture largely through a street
photography methodology which he began in the early 1990s in South Asia with his series Nice Coloured Boys which celebrates the beauty and diversity of coloured men and which was triggered by an appreciation that the look of men from these countries (initially India, Bangladesh and Nepal) reminded him of Aboriginal men in his hometown Darwin.

In 2022, Gary won the Work on Paper Award at the Telstra National Aboriginal Art Awards
for Nagi, 2022, a hand-coloured photo-portrait in tribute to his maternal grandfather Juan (John) Cubillo who was killed in the Bombing of Darwin, 1942. A book on Gary’s work, Heat: Gary Lee, selected texts, art & anthropology, was published in 2023 by dishevel books, Darwin. Heat was launched in Darwin as part of Gary’s solo exhibition midling (Larrakia: together), Coconut Studios, shown as part of the 2023 Darwin Festival. Heat was also launched in Sydney (as part of Gary’s solo exhibition midling 2, The Cross Art Projects, shown in parallel with the 2024 Sydney Mardi Gras Festival and the 2024 Biennale of Sydney), and in Melbourne as part of the solo exhibition Heat / Keep Him My Heart at Swarf gallery, Brunswick (curated by Tristen Harwood and Lauren Burrow). Heat was awarded Best Art Writing by an Indigenous Writer at the 2024 Art Writing and Publishing Awards hosted by the Art Association of Australia and New Zealand.

Since 2006 Gary has held 17 solo exhibitions in Darwin, Sydney, Melbourne, Perth,
Brisbane, Canberra and Auckland and including his current exhibition at Suite7a. His
upcoming solo exhibition Another other, the photo-politics of Gary Lee will be held at
the Ian Potter Centre, NGV Australia, 5 April to 7 September 2026. Gary has participated
in many group exhibitions including nationally and internationally touring exhibitions. His
work is represented in collections held by the National Gallery of Australia, Australian War
Memorial, Art Gallery of Western Australia, National Gallery of Victoria, Museum and Art
Gallery of the NT, Charles Darwin University, and the Australian Institute of Aboriginal and
Torres Strait Islander Studies, along with many private collections.