{"title":"ALL","description":"","products":[{"product_id":"u-taught-me-love-jemi-gale","title":"jemi gale, u taught me love","description":"\u003cp\u003eArtist: jemi gale \u003cbr\u003eTitle: u taught me love\u003cbr\u003eYear: 2022\u003cbr\u003eMaterial: oil paint, canvas, hand cut marine ply board\u003cbr\u003eSize: 35 x 39 cm  \u003cbr\u003ePaired with Chronotope Perfume - Intra Venus\u003c\/p\u003e\n\u003cp\u003eThis series of heart shaped paintings are from a project entitled 'nothing is more important than hanging out'.  An exhibition held at Outer Space, Meanjin by jemi gale, Sarah Brasier, and Nat Thomas, with their friends Hannah Gartside, tiaki teremoana, Marian Tubbs, Nicholas Currie, Tyza Hart, and Holly Wheeler. \u003c\/p\u003e\n\u003cp\u003eThe paintings have been paired with perfume samples by Pink Manor Decant Club. \u003c\/p\u003e\n\u003cp\u003ePhotographs: Louis Lim\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":45715816710362,"sku":"","price":150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/u_taught_me_love.jpg?v=1725574563"},{"product_id":"i-have-nothing-to-complain-about-jemi-gale","title":"jemi gale, i have nothing to complain about","description":"\u003cp\u003eArtist: jemi gale \u003cbr\u003eTitle: i have nothing to complain about \u003cbr\u003eYear: 2022\u003cbr\u003eMaterial: oil paint, canvas, hand cut marine ply board\u003cbr\u003eSize: 35 x 39 cm  \u003cbr\u003ePaired with Strangers Parfumerie - Salted Green Mango\u003c\/p\u003e\n\u003cp\u003eThis series of heart shaped paintings are from a project entitled 'nothing is more important than hanging out'.  An exhibition held at Outer Space, Meanjin by jemi gale, Sarah Brasier, and Nat Thomas, with their friends Hannah Gartside, tiaki teremoana, Marian Tubbs, Nicholas Currie, Tyza Hart, and Holly Wheeler.\u003c\/p\u003e\n\u003cp\u003eThe paintings have been paired with perfume samples by Pink Manor Decant Club. \u003c\/p\u003e\n\u003cp\u003ePhotographs: Louis Lim\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":45718989996250,"sku":"","price":150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/i_have_nothing_to_complain_about__for_Jordan.jpg?v=1725634106"},{"product_id":"jemi-gale-take-me-to-dubai-ill-do-anything","title":"jemi gale, take me to dubai \/ i'll do anything","description":"\u003cp\u003eArtist: jemi gale,\u003cbr\u003eTitle: take me to dubai \/ i'll do anything \u003cbr\u003efrom the series of 5 paintings 'donut king (paintings about love)'\u003cbr\u003eDate: 2022\u003cbr\u003eSize: 61 cm high x 51 cm wide\u003cbr\u003eMaterial: acrylic paint, oil paint, pencil, collage, sticker on stretched silk\u003c\/p\u003e\n\u003cp\u003e~\u003c\/p\u003e\n\u003cp\u003ei'll get in a different car if it means i can race you\u003cbr\u003ei broke your neck by accident\u003cbr\u003ei’m sorry\u003cbr\u003eevery taste is a sweet destination (yours is the sweetest)\u003cbr\u003ekoala with hearts for eyes\u003cbr\u003efish by the bay\u003cbr\u003etwo ice cream cones\u003cbr\u003ethe gelato scoops kiss\u003cbr\u003erapping about fish\u003c\/p\u003e\n\u003cp\u003eare we still going to woomera\u003c\/p\u003e\n\u003cp\u003e~\u003c\/p\u003e\n\u003cp\u003ePoem by jemi gale from a series of 5 poems entitled\u003cbr\u003e'feel like a bird that’s just learned to fly (koala rash)'\u003c\/p\u003e\n\u003cp\u003ejemi gale is an artist and pop girl. she makes paintings about love.\u003c\/p\u003e\n\u003cp\u003ePayment plans are very welcome please enquire!\u003c\/p\u003e\n\u003cp\u003eIf you want to covid safe pick up the work in Sydney pls enter PICKUP in the discount code when checking out.\u003c\/p\u003e\n\u003cp\u003eRead an interview with Jemi Gale by Zarah Butcher-McGunnigle here: https:\/\/medium.com\/@Suite7a\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":45718995370202,"sku":"","price":380.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/IMG_1394.jpg?v=1725634242"},{"product_id":"kevin-cheung-body","title":"Kevin Cheung, Body","description":"\u003cp\u003eArtist: Kevin Cheung\u003cbr\u003eTitle: Body 1\u003cbr\u003eDate: \u003cbr\u003eSize: 29.8cm high x 42cm wide \u003cbr\u003eEdition: 5 + AP\u003cbr\u003eMaterial: Digitally printed on universal gloss photo paper\u003c\/p\u003e\n\u003cp\u003eThe ‘Body’ series is a curation of sporadic work Kevin has done as a photographer.\u003c\/p\u003e\n\u003cp\u003e“I enjoy simplicity, and I see colours or emotions as an inspiration. 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Photographer.\u003cbr\u003eBorn in Autumn in Chongqing, China, now living in Chengdu\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":45732102799578,"sku":"","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/R0012084.jpg?v=1725882572"},{"product_id":"paris-taia-jana-hawkins-andersen-treasure-s-foot-i-v","title":"Paris Taia \u0026 Jana Hawkins-Andersen, Treasure’s foot I-V","description":"\u003cp\u003eArtist: Paris Taia \u0026amp; Jana Hawkins-Andersen\u003cbr\u003eTitle: Treasure’s foot I-V\u003cbr\u003eDate: 2022\u003cbr\u003eSize: variable\u003cbr\u003eMaterial: glazed ceramic\u003c\/p\u003e\n\u003cp\u003eInspired by ancient Nymphaeums (monuments to water spirits) and principles of garden design, ‘Ruins’ attempts to reconstruct a water garden inside an apartment. \u003cbr\u003e \u003cbr\u003eCombining the two artist's disciplines of ceramics and horticulture, vessels have been created for a variety of mosses and Taro that have been planted in Suite 7a.\u003cbr\u003e \u003cbr\u003eReferences to plants that grow in the Pacific Islands, and methods of construction used in the Cook Islands, such as the use of coralite building blocks, reflect Paris’ interest in Pacific crops and building materials. The ceramic pieces reflect Jana’s ongoing interest in classical sculpture, relics and material decay. Drawing inspiration from artworks by Margel and Frank Hinder - the artist's paternal great-grandparents - a ceramic sun and moon act as guardians for the space. \u003cbr\u003e\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":45732105060570,"sku":"","price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/IMG_4951.jpg?v=1725882713"},{"product_id":"hiroko-ando-blooming-sakura-patchwork-桜咲くパッチワーク","title":"Hiroko Ando, Blooming Sakura Patchwork - 桜咲くパッチワーク","description":"\u003cp\u003eArtist: Hiroko Ando\u003cbr\u003eTitle: Blooming Sakura Patchwork - 桜咲くパッチワーク\u003cbr\u003eDate: 2021\u003cbr\u003eSize: 750mm x 650mm\u003cbr\u003eMaterial: Hand sewn Kimono fabric\u003c\/p\u003e\n\u003cp\u003eHello. My name is Hiroko Ando. \u003cbr\u003eI am a Japanese woman based in Numazu City, Shizuoka Prefecture, Japan.\u003cbr\u003eI quit my job a year ago and enjoy Tai Chi and Mah Jongg at home.\u003c\/p\u003e\n\u003cp\u003eFor my patchwork, I consider the things that are around me to use as theme\u003cbr\u003eI chose Mt Fuji and cherry blossoms because they are around my house.\u003cbr\u003eIf you look at Mt Fuji from our house, you see its expression change every day.\u003cbr\u003eFuji in the summer, and Fuji in the morning, and Fuji in the evening, and Fuji in the daytime. There are many shapes and varieties of clouds that surround the mountain.\u003cbr\u003eI'm amazed by it every day.\u003cbr\u003ePatchwork is an ancient Japanese kimono worn by people over 500 years ago. Antique Kimono.\u003cbr\u003eSince cherry blossoms are always around us, they are a symbol of Japan, and the petals of the soil are also mine.\u003cbr\u003e \u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":45732106633434,"sku":"","price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/0F4A8323.jpg?v=1725882795"},{"product_id":"kiki-ando-eggplant-sugar-bowl-茄子の砂糖入れ","title":"Kiki Ando, Eggplant Sugar Bowl,  茄子の砂糖入れ","description":"\u003cp\u003eArtist: Kiki Ando\u003cbr\u003eTitle: Eggplant Sugar Bowl, 茄子の砂糖入れ\u003cbr\u003eDate: 2011\u003cbr\u003eSize: 60mm high x 132mm wide x 60mm deep \u003cbr\u003eMaterial: Glazed earthenware vessel\u003c\/p\u003e\n\u003cp\u003eKiki Ando was born in Numazu City, Japan and works across textile, ceramics, performance and design. In 2003 Ando moved from Japan to Melbourne, where she resides today. Ando graduated from the Melbourne School of Fashion while living and working at the art studio and gallery, The Foundry. In 2007, Ando moved to Berlin to explore textiles and music. While in Berlin, Ando also worked collaboratively with electronic pop band Private Posh Club. Ando returned to Melbourne in 2009 and in 2012, went on to design costumes for dance performance DasSHOKU SHAKE!, which toured Australia and Japan. In 2015, Ando worked as co-director and puppet and prop designer on the film project Studio 3 in East Timor. Ando continues to explore multi-disciplinary artistic forms, with a particular focus on ceramics, costume design and Butoh performance. She performs regularly in Australia, Thailand, Indonesia and Malaysia.\u003c\/p\u003e\n\u003cp\u003eNature is one of the artist’s greatest inspirations. Kiki grew up in Numazu City, Eastern Shizuoka Prefecture, near Mt. Fuji, the highest mountain in Japan and Suruga Bay, the country’s deepest bay. The mountains and ocean surrounding her home influenced Kiki’s love of nature.\u003c\/p\u003e\n\u003cp\u003eWhen Kiki was a child, she spent a lot of time playing alone in the rice fields, but she was also often very unwell. Kiki recalls lying on a futon with high fevers and spending long weeks at home with nothing to do but read and draw; botanical picture books were her favourite. Another formative experience for Kiki was a school project on Hayao Miyazaki’s 1984 film Nausicaä of the Valley of the Wind. Her enduring impression of the film was one of shock at the brutal tension between the natural and human worlds.\u003c\/p\u003e\n\u003cp\u003eA great source of inspiration also forged in Kiki’s childhood, was the creative spirit of her mother Hiroko, whose zōri (Japanese sandals) and patchwork quilted Kimonos feature in this exhibition. When Kiki was unwell as a child, Hiroko avoided Western medicine and looked to traditional Japanese remedies and alternative diets to help heal her. Hiroko studied the macrobiotic diet and skilfully taught herself macrobiotic cooking.\u003c\/p\u003e\n\u003cp\u003eAcross all elements of Kiki’s expansive art making, we can see hints of traditional Japanese artistic practices. These include Boro, which are mended or re-woven textiles and Kamiko, hand-made paper clothing. She is also inspired by Butoh, a unique form of expressive movement that crosses the boundaries between dance and theatre. Kiki creates with the Japanese traditional practices as a starting point, freely crossing borders between mediums.\"\u003c\/p\u003e\n\u003cp\u003eExcerpt from 'Highest Mountain and Deepest Bay' curators introduction, by Rafaela Pandolfini\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":45732108730586,"sku":"","price":180.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/foe_spreadsheet.jpg?v=1725882912"},{"product_id":"kiki-ando-meditation-koala-pot-head-冥想コアラの鉢","title":"Kiki Ando, Meditation Koala Pot Head, 冥想コアラの鉢","description":"\u003cp\u003eArtist: Kiki Ando\u003cbr\u003eTitle: Meditation Koala Pot Head, 冥想コアラの鉢  \u003cbr\u003eDate: 2015\u003cbr\u003eSize: 178mm wide x 120mm high x 100mm deep\u003cbr\u003eMaterial: Glazed earthenware vessel\u003c\/p\u003e\n\u003cp\u003ePayment plans are very welcome please enquire!\u003cbr\u003eIf you want to covid safe pick up the work in Sydney pls enter PICKUP when checking out.\u003c\/p\u003e\n\u003cp\u003eNature is one of the artist’s greatest inspirations. Kiki grew up in Numazu City, Eastern Shizuoka Prefecture, near Mt. Fuji, the highest mountain in Japan and Suruga Bay, the country’s deepest bay. The mountains and ocean surrounding her home influenced Kiki’s love of nature.\u003c\/p\u003e\n\u003cp\u003eWhen Kiki was a child, she spent a lot of time playing alone in the rice fields, but she was also often very unwell. Kiki recalls lying on a futon with high fevers and spending long weeks at home with nothing to do but read and draw; botanical picture books were her favourite. Another formative experience for Kiki was a school project on Hayao Miyazaki’s 1984 film Nausicaä of the Valley of the Wind. Her enduring impression of the film was one of shock at the brutal tension between the natural and human worlds.\u003c\/p\u003e\n\u003cp\u003eA great source of inspiration also forged in Kiki’s childhood, was the creative spirit of her mother Hiroko, whose zōri (Japanese sandals) and patchwork quilted Kimonos feature in this exhibition. When Kiki was unwell as a child, Hiroko avoided Western medicine and looked to traditional Japanese remedies and alternative diets to help heal her. Hiroko studied the macrobiotic diet and skilfully taught herself macrobiotic cooking.\u003c\/p\u003e\n\u003cp\u003eAcross all elements of Kiki’s expansive artmaking, we can see hints of traditional Japanese artistic practices. These include Boro, which are mended or re-woven textiles and Kamiko, hand-made paper clothing. She is also inspired by Butoh, a unique form of expressive movement that crosses the boundaries between dance and theatre. Kiki creates with the Japanese traditional practices as a starting point, freely crossing borders between mediums.\"\u003c\/p\u003e\n\u003cp\u003eExcerpt from 'Highest Mountain and Deepest Bay' curators introduction, by Rafaela Pandolfini\u003c\/p\u003e\n\u003cp\u003eKiki Ando was born in Numazu City, Japan and works across textile, ceramics, performance and design. In 2003 Ando moved from Japan to Melbourne, where she resides today. Ando graduated from the Melbourne School of Fashion while living and working at the art studio and gallery, The Foundry. In 2007, Ando moved to Berlin to explore textiles and music. While in Berlin, Ando also worked collaboratively with electronic pop band Private Posh Club. Ando returned to Melbourne in 2009 and in 2012, went on to design costumes for dance performance DasSHOKU SHAKE!, which toured Australia and Japan. In 2015, Ando worked as co-director and puppet and prop designer on the film project Studio 3 in East Timor. Ando continues to explore multi-disciplinary artistic forms, with a particular focus on ceramics, costume design and Butoh performance. She performs regularly in Australia, Thailand, Indonesia and Malaysia.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":45732111122650,"sku":"","price":150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/Blue_Koala.jpg?v=1725883044"},{"product_id":"kiki-ando-eggplant-big-ship-大きな茄子の船","title":"Kiki Ando, Eggplant Vase","description":"\u003cp\u003eArtist: Kiki Ando\u003cbr\u003eTitle: Eggplant Big Ship, 大きな茄子の船\u003cbr\u003eDate: 2015\u003cbr\u003eSize: 182mm high x 322mm wide x  x 102mm deep\u003cbr\u003eMaterial: Glazed earthenware vessel\u003c\/p\u003e\n\u003cp\u003ePayment plans are very welcome please enquire!\u003c\/p\u003e\n\u003cp\u003eIf you want to covid safe pick up the work in Sydney pls enter PICKUP when checking out.\u003c\/p\u003e\n\u003cp\u003e\"Nature is one of the artist’s greatest inspirations. Kiki grew up in Numazu City, Eastern Shizuoka Prefecture, near Mt. Fuji, the highest mountain in Japan and Suruga Bay, the country’s deepest bay. The mountains and ocean surrounding her home influenced Kiki’s love of nature.\u003c\/p\u003e\n\u003cp\u003eWhen Kiki was a child, she spent a lot of time playing alone in the rice fields, but she was also often very unwell. Kiki recalls lying on a futon with high fevers and spending long weeks at home with nothing to do but read and draw; botanical picture books were her favourite. Another formative experience for Kiki was a school project on Hayao Miyazaki’s 1984 film Nausicaä of the Valley of the Wind. Her enduring impression of the film was one of shock at the brutal tension between the natural and human worlds.\u003c\/p\u003e\n\u003cp\u003eA great source of inspiration also forged in Kiki’s childhood, was the creative spirit of her mother Hiroko, whose zōri (Japanese sandals) and patchwork quilted Kimonos feature in this exhibition. When Kiki was unwell as a child, Hiroko avoided Western medicine and looked to traditional Japanese remedies and alternative diets to help heal her. Hiroko studied the macrobiotic diet and skilfully taught herself macrobiotic cooking.\u003c\/p\u003e\n\u003cp\u003eAcross all elements of Kiki’s expansive artmaking, we can see hints of traditional Japanese artistic practices. These include Boro, which are mended or re-woven textiles and Kamiko, hand-made paper clothing. She is also inspired by Butoh, a unique form of expressive movement that crosses the boundaries between dance and theatre. Kiki creates with the Japanese traditional practices as a starting point, freely crossing borders between mediums.\"\u003c\/p\u003e\n\u003cp\u003eExcerpt from 'Highest Mountain and Deepest Bay' curators introduction, by Rafaela Pandolfini\u003c\/p\u003e\n\u003cp\u003eKiki Ando was born in Numazu City, Japan and works across textile, ceramics, performance and design. In 2003 Ando moved from Japan to Melbourne, where she resides today. Ando graduated from the Melbourne School of Fashion while living and working at the art studio and gallery, The Foundry. In 2007, Ando moved to Berlin to explore textiles and music. While in Berlin, Ando also worked collaboratively with electronic pop band Private Posh Club. Ando returned to Melbourne in 2009 and in 2012, went on to design costumes for dance performance DasSHOKU SHAKE!, which toured Australia and Japan. In 2015, Ando worked as co-director and puppet and prop designer on the film project Studio 3 in East Timor. Ando continues to explore multi-disciplinary artistic forms, with a particular focus on ceramics, costume design and Butoh performance. She performs regularly in Australia, Thailand, Indonesia and Malaysia.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":45732114104538,"sku":"","price":400.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/eggplant_dish.jpg?v=1725883147"},{"product_id":"paris-taia-jana-hawkins-andersen-dish-v","title":"Paris Taia \u0026 Jana Hawkins-Andersen, Dish V","description":"\u003cp\u003eArtist: Paris Taia \u0026amp; Jana Hawkins-Andersen\u003cbr\u003eTitle: Ruins Dish V\u003cbr\u003eDate: 2022\u003cbr\u003eSize: 21cm x 18cm x 7cm\u003cbr\u003eMaterial: glazed ceramic\u003c\/p\u003e\n\u003cp\u003eInspired by ancient Nymphaeums (monuments to water spirits) and principles of garden design, ‘Ruins’ attempts to reconstruct a water garden inside an apartment. \u003cbr\u003e \u003cbr\u003eCombining the two artist's disciplines of ceramics and horticulture, vessels have been created for a variety of mosses and Taro that have been planted in Suite 7a.\u003cbr\u003e \u003cbr\u003eReferences to plants that grow in the Pacific Islands, and methods of construction used in the Cook Islands, such as the use of coralite building blocks, reflect Paris’ interest in Pacific crops and building materials.\u003cbr\u003e \u003cbr\u003eThe ceramic pieces reflect Jana’s ongoing interest in classical sculpture, relics and material decay. Drawing inspiration from artworks by Margel and Frank Hinder - the artist's paternal great-grandparents - a ceramic sun and moon act as guardians for the space.\u003cbr\u003e\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":45732120887514,"sku":"","price":400.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/IMG_4990.jpg?v=1725883306"},{"product_id":"paris-taia-jana-hawkins-andersen-trough","title":"Paris Taia \u0026 Jana Hawkins-Andersen, Trough","description":"\u003cp\u003eArtist: Paris Taia \u0026amp; Jana Hawkins-Andersen\u003cbr\u003eTitle: Trough\u003cbr\u003eDate: 2022\u003cbr\u003eSize: 40cm x 12cm x 7cm\u003cbr\u003eMaterial: glazed raku\u003c\/p\u003e\n\u003cp\u003ePayment plans are very welcome please enquire!\u003c\/p\u003e\n\u003cp\u003eAvailable with foot and plant\/moss add on. \u003c\/p\u003e\n\u003cp\u003eInspired by ancient Nymphaeums (monuments to water spirits) and principles of garden design, ‘Ruins’ attempts to reconstruct a water garden inside an apartment. \u003cbr\u003e \u003cbr\u003eCombining the two artist's disciplines of ceramics and horticulture, vessels have been created for a variety of mosses and Taro that have been planted in Suite 7a.\u003cbr\u003e \u003cbr\u003eReferences to plants that grow in the Pacific Islands, and methods of construction used in the Cook Islands, such as the use of coralite building blocks, reflect Paris’ interest in Pacific crops and building materials. The ceramic pieces reflect Jana’s ongoing interest in classical sculpture, relics and material decay. Drawing inspiration from artworks by Margel and Frank Hinder - the artist's paternal great-grandparents - a ceramic sun and moon act as guardians for the space.\u003cbr\u003e\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Trough","offer_id":45732126458074,"sku":"","price":400.0,"currency_code":"AUD","in_stock":true},{"title":"Foot","offer_id":45732126490842,"sku":"","price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/IMG_7783.jpg?v=1725883469"},{"product_id":"jana-hawkins-andersen-rosette","title":"Jana Hawkins-Andersen, Rosette","description":"\u003cp\u003eArtist: Jana Hawkins-Andersen\u003cbr\u003eTitle: Rosette\u003cbr\u003eDate: 2021\u003cbr\u003eSize: 30 x 30 x 5cm\u003cbr\u003eMaterial: Textile formed, glazed earthenware \u003c\/p\u003e\n\u003cp\u003eExtract from: \u003c\/p\u003e\n\u003cp\u003eJANA HAWKINS-ANDERSEN\u003cbr\u003einterviewed by AINSLIE TEMPLETON\u003cbr\u003efor Suite 7a \/ March 2022\u003c\/p\u003e\n\u003cp\u003e'The kiln blessed me' I remember this comment ringing in one of Jana Hawkins-Andersen's Instagram stories depicting her work, a particularly beautiful and slug-like shroud harvested from the oven. The artist's delicate ceramics are a diligent negotiation with layers of clay and glaze, temperamental textiles and the technology of fire. With a recent show, 'Steel Magnolias', at Verge Gallery in Sydney (feat. a text by me), and a finalist in the SCA's Fauvette Loureiro Memorial Scholarship this year, Hawkins-Andersen has been steadily producing despite the dampening impact of the pandemic, and now has a series of works available through Suite 7a. Here we discuss her treatment of materials, neoclassical grottos, dirty laundry and the legacy of her great grandmother, famed abstract-modernist sculptor Margel Hinder.\u003c\/p\u003e\n\u003cp\u003eAT: I wanted to start with absorbency. I have some of your work in my apartment and I look at it up close all the time. It's like the pieces you have at Suite 7a, one of these post-textiles that is fabric rendered in clay. It looks sort of like a rag pushed into a corner, you can even see the little ribbings in the material. The glaze is spam pink and green, sitting on top of it in a shell, and the underside is left white and chalky. It looks so wet but there is this refusal to coalesce and become a single thing. It's not actually sinking in.\u003c\/p\u003e\n\u003cp\u003eJHA: That's obviously really important to what it is in its structural component. It's always about materials absorbing each other. The work is very materially focused, and that's a starting point for me. Those works are made using a process called ‘burning out’, where fabric is dipped in clay and then fired in the kiln. During the firing process the fabric burns away and you are left with this hard shell or fossil, this impression of what was there before. It becomes this really brittle, almost biscuit-like thing. And when you put the glaze on it doesn't absorb in the same way, but gives it another shell that sits on the outside and makes it strong. So if you wanted to hang one of these on the wall, if you hung it on the raw part it would just crumble, but the glaze reinforces it structurally. So there is multiple layers of surface that build up.\u003c\/p\u003e\n\u003cp\u003eAT: It's almost as if the liquid-looking part is like the spine.\u003c\/p\u003e\n\u003cp\u003eJHA: Yes, totally. I have this one that isn't glazed and to me it always looked like a bone. A cooked bone in this material that is totally fragile. It was made from a towel that was dipped and I had it in my studio unfired for like two years... actually more like four years. Then I fired it for the Verge show. It totally crumbled away and just became this fragment with hollowed out bits. \u003c\/p\u003e\n\u003cp\u003eAT: It looks like driftwood as well. I haven't seen one of your works like that.\u003c\/p\u003e\n\u003cp\u003eJHA: It's actually one of my favourite ones but it's completely disintegrating, so I don't know how long it will exist for.\u003c\/p\u003e\n\u003cp\u003eAT: I think that fragility is part of why I was surprised when I first noticed an almost neoclassical element to these works. I think I was used to seeing them within this frame of detritus. The mouldy colours of the glazing make this air of decay seem emphasised, but actually they are very neoclassical – and I mean that in the sense of like, Venus stepping out of her garments or something. And she's gone, like the trace of the body that's stepped out of it. Is that explicit?\u003c\/p\u003e\n\u003cp\u003eJHA: Definitely. I love that idea of a body that’s stepped out, or transformed. That’s probably most obvious in the works made from burnt out underwear I think. I'm really inspired by neoclassical sculpture.. I'm a bit rusty on my art history to be honest, but I've always been really obsessed with Bernini's veiled heads and hands in marble. For a lot of these works I also think about this place I visited when I was in Germany, in Dresden. It was an old castle – it's probably historically important but I just completely ignored all that information – and it had a nymphaeum, something inspired by classical Greece. It's like a grotto for water spirits, full of sculptures. Some show people turning into fish.\u003c\/p\u003e\n\u003cp\u003eAT: I think I once saw a copy of that big, famous Bernini sculpture of Daphne becoming a tree in London.\u003c\/p\u003e\n\u003cp\u003eJHA: Yes exactly. These works, and the neo classical reference, also make me think about scale. I would love to make them huge or monolithic in some way. But there are parameters built into the medium of ceramics. They are already tempting impossibility in their fragility and the way they are made. So in installations I try to put things together in a way that makes them feel big when you’re standing in a space, like it’s one large fragmented work that you’re inside of. I like the nymphaeum because of the way the sculptures, and fountains, and mouldings all come together to create the grotto. I was also thinking about Green Men, which are these small motifs that are often on the mouldings of buildings, showing the face of someone that's turning into leaves. Some of the works from the Verge show were called Green Man I and II.\u003c\/p\u003e\n\u003cp\u003eAT: Yes I was looking at some of the names you chose. One of them is called Lily of the Valley which I sort of fixated on, because in esoteric traditions Lily of the Valley is like a Rose of Sharon, these exquisite, valuable blooms that grow in dank and secluded places. The highest of the high and the lowest of the low. And that work is sort of reaching or striving upwards, which is...\u003c\/p\u003e\n\u003cp\u003eJHA: It's very that.\u003c\/p\u003e\n\u003cp\u003eAT: Yes, it's very that. I guess they all are. I was going to ask as well... has anyone ever said the phrase 'dirty laundry' to you, or spoken about airing it?\u003c\/p\u003e\n\u003cp\u003eJHA: I'm actually sitting in amongst all my dirty laundry right now. It's been raining for so long in Sydney that we weren't able to do laundry, so dirty laundry feels like a big part of my life right now.\u003c\/p\u003e\n\u003cp\u003eAT: Mouldy Sydney.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eread the full text here \u003cbr\u003ehttps:\/\/medium.com\/@Suite7a\/jana-hawkins-andersen-23c7f222e93c\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":45732129407194,"sku":"","price":800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/close_up.jpg?v=1725883580"},{"product_id":"francesca-zak-song-to-the-moon","title":"Francesca Zak, Song to the Moon","description":"\u003cp\u003eArtist: Francesca Zak\u003cbr\u003eTitle: Song to the Moon\u003cbr\u003eYear: 2021\u003cbr\u003eMaterials: graphite and water colour on printmakers paper\u003cbr\u003eDimensions: 42cm high x 29.7cm wide\u003c\/p\u003e\n\u003cp\u003ePayment plans welcome over 6 weeks please get in touch, DM or email us to organise suitesevena@gmail.com.\u003c\/p\u003e\n\u003cp\u003eFrancesca invited a group of artists to show alongside her work including \u003cbr\u003eMomo Gordon, Henry Holder, Camille Thomas, Brigitte Podrasky, Celeste Stein, Gabriella Lo Presti, Naomi Kent and Zane Edwards\u003c\/p\u003e\n\u003cp\u003eEveryone I asked to be in this with me are each artists whose works could act as amulets to help guide you through a dream; I’d been having dreams of wearing a necklace that would guide me through a slippery realm in between two viscous bubbles without popping them. I can imagine in this world wearing Naomi’s baguette dress to help leave a trail of breadcrumbs to find your way back, or even Henry’s shirts as the token that lets you pass safely on your journey, finding one of Brigitte or Zane’s ceramics in the soil, wrapped in mycelium. With Gabriella’s window acting as a portal's door, finding a home in Celeste’s carved dolls house and having Camille and Momo’s drawings be your memories of that place. 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Evasive phrases pertaining to the government’s position on climate change have been transposed from the mouths of politicians onto “Chux” cleaning cloths. Stripped of context, these empty phrases signal our government’s disguise and deferral of the environmental emergencies we currently face. The familiar zigzag pattern of these ubiquitous household cloths is a recurring backdrop for Rafaela’s ongoing exploration of gendered and emotional labour.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"55cm high x 117cm wide","offer_id":45732149657818,"sku":"","price":400.0,"currency_code":"AUD","in_stock":true},{"title":"80cm high x 174cm wide","offer_id":45732149690586,"sku":"","price":600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/big_dick_energy.jpg?v=1725884359"},{"product_id":"hotter-drier-longer-miracles","title":"Rafaela Pandolfini, Hotter, Drier, Longer, Miracles","description":"\u003cp\u003eArtist: Rafaela Pandolfini\u003cbr\u003eTitle: Hotter, Drier, Longer, Miracles\u003cbr\u003eSize: Option 1. 55cm high x 117cm wide. \u003cbr\u003eOption 2. 80cm high x 174cm wide\u003cbr\u003eMaterial: Textile (digital print on waratah fabric) \u003cbr\u003eDate: 2021\u003c\/p\u003e\n\u003cp\u003e'Hotter, Drier, Longer, Miracles' was originally installed as a billboard on Wiradjuri land (Hume Highway, Gundagai) for Myths \u0026amp; Facts a commission for West Space and PHOTO 2021. \u003c\/p\u003e\n\u003cp\u003eMyths \u0026amp; Facts is an ongoing research project and in February 2021, the project took form as a processional series of ten images displayed on billboards along the Hume Highway in Eora, Wiradjuri, Taungurong and Woiworung countries, between New South Wales and Victoria.\u003c\/p\u003e\n\u003cp\u003eMyths \u0026amp; Facts interrogates Australia’s failure to address environmental violence at a policy level. Evasive phrases pertaining to the government’s position on climate change have been transposed from the mouths of politicians onto “Chux” cleaning cloths. Stripped of context, these empty phrases signal our government’s disguise and deferral of the environmental emergencies we currently face. The familiar zigzag pattern of these ubiquitous household cloths is a recurring backdrop for Rafaela’s ongoing exploration of gendered and emotional labour.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"55cm high x 117cm wide","offer_id":45732152574170,"sku":null,"price":400.0,"currency_code":"AUD","in_stock":true},{"title":"80cm high x 174cm wide","offer_id":45732152606938,"sku":null,"price":600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/Low_res_Albury2.jpg?v=1725884671"},{"product_id":"rafaela-pandolfini-when-the-wind-doesnt-blow-and-the-sun-doesnt-shine","title":"Rafaela Pandolfini, When the wind doesn't blow and the sun doesn't shine","description":"\u003cp\u003eArtist: Rafaela Pandolfini\u003cbr\u003eTitle: When the wind doesn't blow and the sun doesn't shine\u003cbr\u003eSize: Option 1. 55cm high x 110cm wide. \u003cbr\u003eOption 2. 80cm high x 160cm wide\u003cbr\u003eMaterial: Textile (digital print on waratah fabric)  \u003cbr\u003eDate: 2021\u003c\/p\u003e\n\u003cp\u003e'When the wind doesn't blow and the sun doesn't shine' was originally installed as billboard on Eora land (Town Hall Station, Sydney on Platform 1) for Myths \u0026amp; Facts, a commission for West Space and PHOTO 2021. \u003c\/p\u003e\n\u003cp\u003eMyths \u0026amp; Facts is an ongoing research project and in February 2021, the project took form as a processional series of ten images displayed on billboards along the Hume Highway in Eora, Wiradjuri, Taungurong and Woiworung countries, between New South Wales and Victoria.\u003c\/p\u003e\n\u003cp\u003eMyths \u0026amp; Facts interrogates Australia’s failure to address environmental violence at a policy level. Evasive phrases pertaining to the government’s position on climate change have been transposed from the mouths of politicians onto “Chux” cleaning cloths. Stripped of context, these empty phrases signal our government’s disguise and deferral of the environmental emergencies we currently face. The familiar zigzag pattern of these ubiquitous household cloths is a recurring backdrop for Rafaela’s ongoing exploration of gendered and emotional labour.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"55cm high x 117cm wide","offer_id":45732158832858,"sku":null,"price":400.0,"currency_code":"AUD","in_stock":true},{"title":"80cm high x 174cm wide","offer_id":45732158865626,"sku":null,"price":600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/Low_Res_Town_Hall.jpg?v=1725884776"},{"product_id":"rafaela-pandolfini-big-stick-energy","title":"Rafaela Pandolfini, Big Stick Energy","description":"\u003cp\u003eArtist: Rafaela Pandolfini\u003cbr\u003eTitle: Big Stick Energy\u003cbr\u003eSize: Option 1. 55cm high x 117cm wide. \u003cbr\u003eOption 2. 80cm high x 174cm wide\u003cbr\u003eMaterial: Textile (digital print on waratah fabric) \u003cbr\u003eDate: 2021\u003c\/p\u003e\n\u003cp\u003e'Big Stick Energy' was originally installed as a billboard on Wiradjuri land (Hume Highway, Albury) for Myths \u0026amp; Facts a commission for West Space and PHOTO 2021. \u003c\/p\u003e\n\u003cp\u003eMyths \u0026amp; Facts is an ongoing research project and in February 2021, the project took form as a processional series of ten images displayed on billboards along the Hume Highway in Eora, Wiradjuri, Taungurong and Woiworung countries, between New South Wales and Victoria.\u003c\/p\u003e\n\u003cp\u003eMyths \u0026amp; Facts interrogates Australia’s failure to address environmental violence at a policy level. Evasive phrases pertaining to the government’s position on climate change have been transposed from the mouths of politicians onto “Chux” cleaning cloths. Stripped of context, these empty phrases signal our government’s disguise and deferral of the environmental emergencies we currently face. The familiar zigzag pattern of these ubiquitous household cloths is a recurring backdrop for Rafaela’s ongoing exploration of gendered and emotional labour.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"55cm high x 117cm wide","offer_id":45732165353690,"sku":"","price":400.0,"currency_code":"AUD","in_stock":true},{"title":"80cm high x 174cm wide","offer_id":45732165386458,"sku":"","price":600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/Low_res_Gundagai.jpg?v=1725884979"},{"product_id":"rafaela-pandolfini-madness-tyranny-crusade-voodoo-science","title":"Rafaela Pandolfini, Madness, Tyranny, Crusade, Voodoo, Science","description":"\u003cp\u003eArtist: Rafaela Pandolfini \u003cbr\u003eTitle: Madness, Tyranny, Crusade, Voodoo, Science\u003cbr\u003eSize: Option 1. 55cm high x 117cm wide. \u003cbr\u003eOption 2. 80cm high x 174cm wide \u003cbr\u003eMaterial: Textile (digital print on waratah fabric)  \u003cbr\u003eDate: 2021\u003c\/p\u003e\n\u003cp\u003e'Madness, Tyranny, Crusade, Voodoo, Science' was originally installed as a billboard on Wiradjuri land (Hume Highway, Albury) for Myths \u0026amp; Facts a commission for West Space and PHOTO 2021. \u003c\/p\u003e\n\u003cp\u003eMyths \u0026amp; Facts is an ongoing research project and in February 2021, the project took form as a processional series of ten images displayed on billboards along the Hume Highway in Eora, Wiradjuri, Taungurong and Woiworung countries, between New South Wales and Victoria.\u003c\/p\u003e\n\u003cp\u003eMyths \u0026amp; Facts interrogates Australia’s failure to address environmental violence at a policy level. Evasive phrases pertaining to the government’s position on climate change have been transposed from the mouths of politicians onto “Chux” cleaning cloths. Stripped of context, these empty phrases signal our government’s disguise and deferral of the environmental emergencies we currently face. The familiar zigzag pattern of these ubiquitous household cloths is a recurring backdrop for Rafaela’s ongoing exploration of gendered and emotional labour.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"55cm high x 117cm wide","offer_id":45732166303962,"sku":null,"price":400.0,"currency_code":"AUD","in_stock":true},{"title":"80cm high x 174cm wide","offer_id":45732166336730,"sku":null,"price":600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/Low_res_Albury1.jpg?v=1725885133"},{"product_id":"rafaela-pandolfini-say-what-we-mean-do-what-we-say","title":"Rafaela Pandolfini, Say what we mean, Do what we say","description":"\u003cp\u003eArtist: Rafaela Pandolfini \u003cbr\u003eTitle: Say what we mean, Do what we say \u003cbr\u003eSize: \u003cbr\u003eOption 1. 50cm wide x 73cm high. \u003cbr\u003eOption 2. 80cm wide x 106cm high\u003cbr\u003eMaterial: Textile (digital print on waratah fabric) \u003cbr\u003eDate: 2021\u003c\/p\u003e\n\u003cp\u003e'Say what we mean, Do what we say' was originally installed as a large sticker on Wurundjeri land (Collingwood Yards precinct, Melbourne) for Myths \u0026amp; Facts, a commission for West Space and PHOTO 2021. \u003c\/p\u003e\n\u003cp\u003eMyths \u0026amp; Facts is an ongoing research project and in early 2021, the project took form as a processional series of ten images displayed on billboards along the Hume Highway in Eora, Wiradjuri, Taungurong and Woiworung countries, between New South Wales and Victoria.\u003c\/p\u003e\n\u003cp\u003eMyths \u0026amp; Facts interrogates Australia’s failure to address environmental violence at a policy level. Evasive phrases pertaining to the government’s position on climate change have been transposed from the mouths of politicians onto “Chux” cleaning cloths. Stripped of context, these empty phrases signal our government’s disguise and deferral of the environmental emergencies we currently face. The familiar zigzag pattern of these ubiquitous household cloths is a recurring backdrop for Rafaela’s ongoing exploration of gendered and emotional labour.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"50cm wide x 73cm high","offer_id":45732174135514,"sku":"","price":300.0,"currency_code":"AUD","in_stock":true},{"title":"80cm wide x 106cm high","offer_id":45732174168282,"sku":"","price":500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/Collingwood.jpg?v=1725885269"},{"product_id":"rafaela-pandolfini-dont-be-afraid","title":"Rafaela Pandolfini, Don't be Afraid","description":"\u003cp\u003eArtist: Rafaela Pandolfini\u003cbr\u003eTitle: Don't be Afraid\u003cbr\u003eSize: Option 1. 50cm wide x 73cm high. \u003cbr\u003eOption 2. 80cm wide x 106cm high\u003cbr\u003eMaterial: Textile (digital print on waratah fabric) \u003c\/p\u003e\n\u003cp\u003e'Don't be Afraid' is part of the Myths \u0026amp; Facts series. Myths \u0026amp; Facts interrogates Australia’s failure to address environmental violence at a policy level. Evasive phrases pertaining to the government’s position on climate change have been transposed from the mouths of politicians onto “Chux” cleaning cloths. Stripped of context, these empty phrases signal our government’s disguise and deferral of the environmental emergencies we currently face. The familiar zigzag pattern of these ubiquitous household cloths is a recurring backdrop for Rafaela’s ongoing exploration of gendered and emotional labour.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"50cm wide x 73cm high","offer_id":45732175675610,"sku":null,"price":300.0,"currency_code":"AUD","in_stock":true},{"title":"80cm wide x 106cm high","offer_id":45732175708378,"sku":null,"price":500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/V_Dont_be_afraid_2.jpg?v=1725885369"},{"product_id":"tissue-box","title":"Catherine Flora Murray, Tissue box","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eArtist:\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eCatherine Flora Murray\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003ex3 iconic Catherine Flora Murray tissue box's available \u003c\/span\u003e\u003cbr\u003eYear: 2024\u003cbr\u003eMaterials: White Raku stoneware with white satin glaze \u003c\/p\u003e\n\u003cp\u003eMeasurements: *Sizes v\u003cspan\u003eary but approx \u003c\/span\u003e\u003cspan\u003e250mm wide x 200mm Long x 140mm High \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e*Tissue boxes take about 1 month from order date \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e*Images are all previous tissues boxes made by Catherine Flora Murray, each tissue box is unique \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eCatherine Flora Murray\u003c\/strong\u003e\u003cspan\u003e is a ceramist, whose practice considers histories of material culture, influenced by the folk craft techniques of Catalan pottery. Her work critically reframes the traditional craft practice, embedding the personal experience of longing and estrangement from her matrilineal culture into these vessels. Her hand thrown pieces often utilise souvenir imagery; both real and imagined, melding symbols that evoke nostalgia with a traditional craft application and common decorative tropes. \u003c\/span\u003e\u003ca href=\"https:\/\/www.catherinefloramurray.com\/solo\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Suita7a","offers":[{"title":"Default Title","offer_id":45776475062490,"sku":"","price":350.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/IMG_4870.jpg?v=1728718366"},{"product_id":"mackenzie-mario-benato-a-friend","title":"Mackenzie Benato, A friend","description":"\u003cp\u003eArtist: Mackenzie Mario Benato\u003cbr\u003eTitle: A friend\u003cbr\u003eYear: 2024\u003cbr\u003eMaterials: \u003cspan\u003e\u003cspan lang=\"EN-US\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: Arial; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eGouache and acrylic on paper\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSize: \u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: Arial; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\" lang=\"EN-US\"\u003e300mm wide x 215mm high\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eStones taken from a rubble bin, over 2 years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eFlat faces made by bridge saw.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSprays water, catches sand, makes mud. Protects lungs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e(sandstone) (dust) (silica)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eCarved into stamps. (hammer)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e(chisel) As motifs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eThey feel good in the hand, heavy, rough.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eYour fingers find veins and grooves your eyes can’t. The stone absorbs,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003ewater, paint, shock wave and then,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003ebreaks, transforms, remembers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eEach stamp is a long story.\u003c\/span\u003e\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":45780358037722,"sku":null,"price":130.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/Screenshot2024-09-23at1.40.52pm.png?v=1727070394"},{"product_id":"mackenzie-mario-benato-a-good-link-wont-break-under-pressure","title":"Mackenzie Benato,  A good link wont break under pressure","description":"\u003cp\u003eTitle: \u003cmeta charset=\"utf-8\"\u003e\u003cspan lang=\"EN-US\"\u003eA good link won’t break under pressure\u003c\/span\u003e\u003cbr\u003eYear: 2024\u003cbr\u003eMaterials: \u003cspan\u003e\u003cspan lang=\"EN-US\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: Arial; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\" lang=\"EN-US\"\u003eGouache and acrylic on paper\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSize: Print 420mm wide x 300mm high\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eStones taken from a rubble bin, over 2 years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eFlat faces made by bridge saw.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSprays water, catches sand, makes mud. Protects lungs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e(sandstone) (dust) (silica)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eCarved into stamps. (hammer)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e(chisel) As motifs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eThey feel good in the hand, heavy, rough.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eYour fingers find veins and grooves your eyes can’t. The stone absorbs,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003ewater, paint, shock wave and then,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003ebreaks, transforms, remembers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eEach stamp is a long story.\u003c\/span\u003e\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":45780362985690,"sku":null,"price":130.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/Screenshot_2024-09-23_at_1.41.01_pm.png?v=1727221440"},{"product_id":"mackenzie-mario-benato-resist","title":"Mackenzie Benato, Resist","description":"\u003cp\u003eArtist: Mackenzie Mario Benato\u003cbr\u003eTitle: Resist\u003cbr\u003eYear: 2024\u003cbr\u003eMaterials: G\u003cspan lang=\"EN-US\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: Arial; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eouache and acrylic on paper\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSize: \u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: Arial; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003e300mm wide x 215mm high\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eStones taken from a rubble bin, over 2 years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eFlat faces made by bridge saw.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSprays water, catches sand, makes mud. Protects lungs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e(sandstone) (dust) (silica)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eCarved into stamps. (hammer)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e(chisel) As motifs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eThey feel good in the hand, heavy, rough.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eYour fingers find veins and grooves your eyes can’t. The stone absorbs,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003ewater, paint, shock wave and then,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003ebreaks, transforms, remembers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eEach stamp is a long story.\u003c\/span\u003e\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":45780365279450,"sku":null,"price":130.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/Screenshot2024-09-23at1.41.08pm.png?v=1727221363"},{"product_id":"mackenzie-benato","title":"Mackenzie Benato, Snakes and ladders, Hand carved sandstone stamps with gouache and acrylic on paper Large","description":"\u003cp\u003eArtist: Mackenzie Mario Benato\u003cbr\u003eYear: 2024\u003cbr\u003eMaterials: Hand carved s\u003cspan lang=\"EN-US\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: Arial; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\" lang=\"EN-US\"\u003eandstone stamps with gouache and acrylic on paper\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSize: \u003c\/span\u003e\u003cspan\u003e650mm high x 450mm wide prints \u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan\u003eSnakes \u0026amp; ladders\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eStones taken from a rubble bin, over 2 years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eFlat faces made by bridge saw.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSprays water, catches sand, makes mud. Protects lungs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e(sandstone) (dust) (silica)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eCarved into stamps. (hammer)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e(chisel) As motifs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eThey feel good in the hand, heavy, rough.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eYour fingers find veins and grooves your eyes can’t. The stone absorbs,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003ewater, paint, shock wave and then,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003ebreaks, transforms, remembers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eEach stamp is a long story.\u003c\/span\u003e\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":45785826984154,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/Snakes_ladders.png?v=1727229444"},{"product_id":"mackenzie-benato-a3-sandstone-block-prints-with-gouache-and-acrylic-copy","title":"Mackenzie Benato, Hand carved sandstone stamps with gouache and acrylic on paper A4 Custom paper","description":"\u003cp\u003eArtist: Mackenzie Mario Benato\u003cbr\u003eYear: 2024\u003cbr\u003eMaterials: Hand carved s\u003cspan lang=\"EN-US\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: Arial; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eandstone stamps with gouache and acrylic on paper A4 custom paper \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003eSize: 297\u003c\/span\u003e\u003cspan\u003emm high x 210mm wide \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitle: \u003c\/span\u003eFlower no.1 (1st stamp)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eStones taken from a rubble bin, over 2 years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eFlat faces made by bridge saw.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSprays water, catches sand, makes mud. Protects lungs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e(sandstone) (dust) (silica)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eCarved into stamps. (hammer)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e(chisel) As motifs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eThey feel good in the hand, heavy, rough.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eYour fingers find veins and grooves your eyes can’t. The stone absorbs,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003ewater, paint, shock wave and then,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003ebreaks, transforms, remembers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eEach stamp is a long story.\u003c\/span\u003e\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":45785961267418,"sku":null,"price":150.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/flowerno.1_1ststamp.png?v=1727247117"},{"product_id":"mackenzie-benato-a4-sandstone-block-prints-with-gouache-and-acrylic","title":"Mackenzie Benato, Hand carved sandstone stamps with gouache and acrylic on paper A4 \u0026 A3","description":"\u003cp\u003eArtist: Mackenzie Mario Benato\u003cbr\u003eYear: 2024\u003cbr\u003eMaterials: \u003cmeta charset=\"utf-8\"\u003eHand carved s\u003cspan lang=\"EN-US\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: Arial; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eandstone stamps with gouache and acrylic on paper\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSize: 297\u003c\/span\u003e\u003cspan\u003emm high x 210mm wide \u0026amp; 420mm high x 297mm wide\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eTitles:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli dir=\"ltr\"\u003elady of the lake\/brown\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003egi's stamp white\/brown\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003eflower white\/brown\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003eheart white\u0026amp;brown\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003ewave white\/brown\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003ecycle ( banksia inferriata pattern)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003esnake b\u0026amp;w\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003ebody (self portrait, bigger hips) b\u0026amp;w\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003cmeta charset=\"utf-8\"\u003eStones taken from a rubble bin, over 2 years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eFlat faces made by bridge saw. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSprays water, catches sand, makes mud. Protects lungs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e(sandstone) (dust) (silica)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eCarved into stamps. (hammer)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e(chisel) As motifs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eThey feel good in the hand, heavy, rough.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eYour fingers find veins and grooves your eyes can’t. The stone absorbs,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003ewater, paint, shock wave and then,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003ebreaks, transforms, remembers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eEach stamp is a long story.\u003c\/span\u003e\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":45786472186074,"sku":null,"price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/ladyofthelakewhite_brown.png?v=1727249162"},{"product_id":"mackenzie-benato-a3-custom-paper-sandstone-block-prints-with-gouache-and-acrylic","title":"Mackenzie Benato, Hand carved sandstone stamps with gouache and acrylic on paper A3","description":"\u003cp\u003eArtist: Mackenzie Mario Benato\u003cbr\u003eYear: 2024\u003cbr\u003eMaterials: \u003cmeta charset=\"utf-8\"\u003eHand carved s\u003cspan lang=\"EN-US\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: Arial; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\" lang=\"EN-US\" data-mce-style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: Arial; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eandstone stamps with gouache and acrylic on paper A3\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSize: 420mm high x 297\u003c\/span\u003e\u003cspan\u003emm wide \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eTitles:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli dir=\"ltr\"\u003emap\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003edecorative vine\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003esnake pillars\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003emedusa\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003esnake fertility coil no.1\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eStones taken from a rubble bin, over 2 years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eFlat faces made by bridge saw.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSprays water, catches sand, makes mud. Protects lungs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e(sandstone) (dust) (silica)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eCarved into stamps. (hammer)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e(chisel) As motifs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eThey feel good in the hand, heavy, rough.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eYour fingers find veins and grooves your eyes can’t. The stone absorbs,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003ewater, paint, shock wave and then,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003ebreaks, transforms, remembers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eEach stamp is a long story.\u003c\/span\u003e\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":45786483917018,"sku":null,"price":135.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/files\/1.map.png?v=1727249162"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0720\/8543\/8682\/collections\/Suite7a_Images.jpg?v=1726003186","url":"https:\/\/suite7a.co\/collections\/all.oembed?page=17","provider":"Suite7a","version":"1.0","type":"link"}